As many know, I've been looking for work.
What some don't know is that I'm sick of it. Sick to death. And I'm burned.
To this point, I've been somewhat cryptic on this blog when it comes to specifics about my pursuit of a career. Now, given that I'm "over it" [apologies for the 90s flashback phrase], I have nothing to hide really. Plus I need to vent. If you're not in the mood to hear it, you might want to just visit some of my favorite blogs linked on the left. Undoubtedly, they'll be far less whinging in nature.
First of all, let me state that I do not overestimate the availability of jobs in my field. I am a trained musician, and even without the need to watch the various Idol permutations, I know that life in this industry is tough.
Having said that, it hasn't discouraged me from pursuing my craft all these years. The bulk of my studies in secondary school, as well as nearly all of my tertiary education, has been in music. A few years ago, after spending 20+ years as a singer with various side jobs of one sort or another, I decided to return to university and obtain terminal degrees in music. This was done for a few reasons: in order to stop splitting my focus between music and some other type of job, to obtain qualifications to begin teaching at the university level, to achieve a relative degree of stability, to begin saving for retirement years, to have a commute that didn't require boarding a train or plane.
I had held off teaching in higher-ed for many years, having always opined that one needs to spend some time working in the field before moving on to train and nurture others. Then, as I approached the age of 40, I figured that all of my work as a professional performer, along with various honors like a Fulbright scholarship and summa cum laude status, were all indicators that it was now time. I embraced the opportunity to begin sharing the knowledge and experiences I had accumulated with new generations of budding music students. At long last I could work full-time in music.
Unfortunately, this hasn't panned out. Granted, circumstances have taken me in a somewhat different direction than I anticipated, in that I now have a wonderful partner and stepson and have moved across the globe to a really fab, but woefully expensive, city. But what I didn't account for was that there would be no jobs for me in Australia. None.
Even if I had accounted for that, would it have made a difference? No. I would not have called it quits on a loving and meaningful relationship, simply because I didn't readily see an immediate career trajectory for me in the country to which my Australian partner was forced to return because of antiquated, conservative immigration laws in my own home country.
"Gee, sorry, Mark & Zane, I love you both, but you're not worth it." Uh, no. Not my style.
So I moved and held out hope that, given my experience, talent, encouragement from colleagues, and a fairly impressive curriculum vita, something would turn up. Nothing has. In the nearly three years I have been in this sunburnt land, there have been a total of three positions open in the field of tertiary music teaching. Two of them were out of my league, for despite my degrees, I don't have the university teaching experience to be head of department yet. The other position, a fill-in for someone on maternity leave, I didn't even get an interview for.
There are probably many reasons for this. It could be that, at the time of most of those applications, I was only a temporary resident (more on that in a bit). It surely has to do with the fact that Australia has a much lower population than the U.S., resulting in very few jobs to begin with. I'm positive that it also has to do with the different set-up of music departments within higher-ed institutions, which means there are fewer jobs in my specific field. There's also the fact that music (and the arts in general) are only given lip-service in public and most private primary and secondary schools, resulting in a lack of need for certified music teachers that the aforementioned higher-ed music departments would train. (You think it's bad in the U.S.? You have no idea.) Heck, it could even be a case or two of anti-Americanism. Whatever it is, it has been frustrating. But I've held my head high and waited.
In August of last year, I had served my immigrant time and was granted permanent Australian residency, which means I can freely travel in and out of the country without having to reapply for more migrant visas and/or risk losing my right to be here. It didn't affect my right to work, for even as a temporary resident, the status I received when I immigrated here as Mark's partner, I had the right to work legally. Strangely, however, some places (like Qantas) have internal policies that state they will not hire temporary residents. I don't know how that can be legally justified, but apparently it is.
So, following a number of difficult and sometimes tearful conversations, Mark and I both decided that it was time for me to begin looking for work in the U.S., where the jobs in my field are. We decided, jointly, that my overall mental well-being included job satisfaction, and it was evident that the likelihood of achieving that in Australia was diminishing with each passing month. Sitting outside of academia for more than a year or two after receiving one's doctorate is professional suicide. As in Marcus Aurelius's river, the strong current of time is rapidly bringing this deadline worryingly close. As a permanent Australian resident, I could spend the academic year working in the U.S. and the other time back here with my hubby and son. It wasn't ideal, but it was work.
I have now applied for around 15 academic positions in the U.S. For whatever reason, be it my residency in Australia, an über-competitive job market, a glut of recent choral conducting DMA graduates, my age, a misguided sense of skill and talent, or a sad mixture of the above, I have had one nibble. Actually, it was a bite. As I've written before, I was one of three candidates flown to this particular university for what was, in the end, an unsuccessful interview.
After I recovered enough from the sting of getting only a dryly formal rejection e-mail and not a phone call as they'd promised me upon departure from their hallowed halls, I sent a request to two members of the committee for some feedback to find out where I might improve in what I hoped would be subsequent interviews at other institutions. One of the committee members is a fellow choral conductor, with whom at the time I seemed to connect well enough in such a friendly and collegial fashion that I could call upon her for all kinds of professional advice. I've received nothing, however...not even a reply that, unfortunately, due to legal constraints they weren't able to go on record with any kind of interview feedback, in which case I'd have understood and thanked her for responding anyway. Now, instead, I'm checking out voodoo-doll-making books from the local library.
I have been waiting for the universe to help point me in a direction that
suits my skills and talents. Waiting to find my niche. I thought this was finally
it. I'm not naive, in that I realize how silly it is to call it quits after one failed interview, but the whole experience has presented a firm challenge to the faith I have always placed in my own skills and ability. I am seriously questioning whether it's worth it, but then again, what would I do instead?
A blogger buddy recently offered words of sympathy and recommended I start thinking laterally. That's not a bad idea. I do have some things up my sleeve, but it's difficult moving to a blank slate after sinking so much time, effort and money in the pursuit of a specific goal without having had the chance even to try it.
Not to worry, however. My gumption will return. Someday.